🎰 Clams Casino: hip-hop's production maestro steps out of the shadows | Music | The Guardian

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I always liked to mess around with a lot of instruments. Just to get a variety of different stuff, just a challenge finding new stuff I had never heard. I was sending stuff to everybody and I sent him that beat that Havoc ended up rapping on. A lot of people have said that. I just finished school this spring. That was pretty cool, a complete surprise. I was just trying to see what else I could do with it. But just the overall mood, the vibe of it, is kind of creepy and haunting. So he shouted me out on Twitter. Actually, he kinda just shouted me out on Twitter. When you throw stuff out online, anything can happen. How do you feel about that? People making remakes and stuff. I started making beats just for fun about ten years ago when I was a freshman in high school. Yeah, it is a little bit. Then I sent it to him and he freaked out. I usually take one source. Maybe we should play this Prodigy record to give people an idea of what you were listening to at the time. The first stuff he was doing on my beats, just freestyling really ridiculous stuff. It was just something I always liked to do. What is he doing? Like all freestyles and putting out five or six songs a day. Most of the people that I was working with, I would just email and stuff, so I never got in the studio with them or anything. You mean just searching with a search engine and stuff? I just wanna see where I can go with it. Right now I just use software. I forget the name of it. Is that changing as your career progresses? His name was Nyce. Yeah, every song I did with Lil B. Not yet. Did you feel like you could start doing different things production-wise? Some bad things happen, some good things happen. Were there any occasions when you had to chase down credits or chase down money? So I usually end up making a lot of stuff out of the same sample. I think was when I started going online. I started hearing them around five years ago. The stuff I make myself I try to sound like that. If I hear something, I go with it, but I try not to think about artists or who can be on top of it too much. The main thing that I liked was the vocal sample. When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. I usually use them.

Good afternoon. Yeah, that was crazy how that happened. I had it laying around. I think some of his boys showed him stuff on my mixtape, an EP or something, and he liked it a lot.

Right around the time I started making beats this is what I was listening to. I made it for someone else, probably a few months before I sent it to Lil B.

My friend sent me another one of her songs. And you actually ended up producing a track for Havoc and Mobb Deep.

I liked the stuff he did before a lot. I get used to it, though, just the whole process. I thought it was so funny and I kept sending him stuff and it just happened clams casino best producer there.

They were doing straight, uptempo, really fast stuff, kinda like hyphy. Not that one. He was putting out so much stuff, just out there, really crazy stuff.

Yet, at least. This is one of my favorite songs. I started listening to hip-hop when I was about 12, and then I was only listening to hip-hop.

He flipped. Then he started doing stuff on his own, putting solo stuff out on MySpace and started doing really crazy stuff.

Even before I did, there was some big song that sampled her, so people were doing it before me. It just messes me up, so I try not to really think about that. Hopefully, something really good happens like that. For the past probably couple of years, just software and a laptop. Best online internet casino a lot of New York stuff.

I never sent it to him and I was sending him a bunch of stuff before that. Everybody give it up for Clams Casino. Yeah, the instrumental.

I can clams casino best producer in physical therapy if I wanted to. Definitely, for Wu-Tang, definitely the beats 'cause I had no idea what they were talking about.

I first started listening to him when he was in a group called the Pack. But I got into the process of doing that and I got used to that, following him really close every time he dropped it. But not most of them. From there, that was all I was into. Growing up, I played drums and stuff.

After my friend told me about her, I went and looked for some clams casino best producer my own and found clams casino best producer other stuff from her. He loved it and here it is. It takes me a long time to finish them.

I was doing it a long time just on my own just to show my friends and listen to myself, but I started about four years ago actually trying to get it out. Tell us a little about your background and upbringing for those who might not know. Pretty hardcore gangsta rap. Colors, green, stuff like that. Is that frustrating that you make this beat and it just stops being yours? But every time I sit down, I probably start the beginning of three beats, but not finish them. I like the quality of it, the lo-fi stuff, kind of like what I do. I just always liked that beat. Is that liberating as a producer to see someone doing such wild music? I used to. People were talking about it for so long. Is that exciting? Yeah, some of them I was surprised that some of the people flipped it and actually came pretty close. Now, I guess even before you were pushing your beats that way, what was it that drew you to make music on that level? What is this? So I sent it to his manager. I used to use samplers and hardware stuff, but right now, I just use the laptop. Is that weird now that the roles are reversed? But right now is probably a good time to pursue the music thing because last week you had some beats on the number-one album in America. It seems it was an interesting time for the way hip-hop beats have exchanged hands and moved around.